The mass of men lead lives of quiet desperation.
What is called resignation is confirmed desperation.
From the desperate city you go into the desperate country,
and have to console yourself with the bravery
of minks and muskrats.
Henry David Thoreau, Walden
Review from Whistling Shade:
Desperation hunts us all down and corners each one of us at sometime in our lives. Jeff Vande Zande paints an eloquent portrait of this absolute desolation with great care in his debut novel, the tale of a man who finds himself apart from society, driven to desperation by personal tragedy. The title of Jeff Vande Zande's debut novel, Into the Desperate Country, aptly refers to Thoreau's statement in Walden; that "the mass of men lead lives of quiet desperation." The desperation of life on the assembly-line drives the hero, Stanley, to his own Walden, a cabin by a river near Gaylord, Michigan.
Necessity presses him close to nature, where he lives in a kind of a blessed limbo waiting for the world to close in on him. Unlike Thoreau, he is about to lose his cabin to a bank foreclosure, so his haven is in peril. He is caught between looking for answers to his dilemma outside himself and looking inside himself for the strength he needs to find solutions. Vande Zande does a magnificent job of laying out the maze of thought patterns as Stanley figures out how to get out of the corner he has painted himself into.
Vande Zande, an English professor at Delta College, uses a Michigan setting, with authentic detail and extensive, lyrical description, highlighting the beauty of the area. Passages come straight from Michigan's natural settings: "a cacophony of birds like a symphony orchestra warming up"; "across the river-a hornet's nest the size of a basketball dangled from a thin branch above the water seemed to defy gravity"; "Everything on the water glowed in the moon's light. Downstream the river kept going without him, ghost-lit and gliding until it finally turned a bend". This is the beautiful limbo, the calm before the storm, that Stan is living in for a brief time. Vande Zande uses the opportunity of Stanley's disintegration to show his closeness to nature and involve nature as a renewing force in life. In a way, Stanley is a "natural man." His hair and beard grow, and by the time a young, attractive blonde woman from the bank comes to examine the property, he has become quite apart from civilization, hiding from the weekenders, keeping to himself. When he wants to go swimming with his new lady friend, June, he jumps out of his clothes in front of her, not thinking of her embarrassment. He has become too accustomed to operating on impulses. This is an element in his desperation-he has lost his social graces.
If this seems like another book about love solving all problems, guess again. Into the Desperate Country is a chronicle of real humans in the real world grasping at straws, making impulsive choices, screwing up good things, finding something real. Sometimes, Stanley tries to get help from others, yet he must eventually go back to his own understanding. Like us, he must plan his life or else be pressed into making choices out of despair. We are left with his desperation.
Anne Wolfe
Jeff Vande Zande writes beautifully. His style is one of concentrated poetic prose that seizes on fragmentary moments of observed nature in the wild and nature in the very rough state of human vulnerability and confusion and disrepair, forming from these puzzle pieces a tale that is at once solid in structure and challenging in content. Two days in the life of an antihero occupy the pages of INTO THE DESPERATE COUNTRY, and while the pace of the book in unrelentingly brisk, the author finds time to raise questions concerning goals and lack of same, approach/avoidance conflicts of relationships, the isolation of contemporary man longing for life to make sense, the panic of coping with society's expectations instead of following personal dreams, death, and many other breathless issues. It is a book that entertains as fast as a flash on the river of life and yet pushes the envelope of reader participation just when it seems that 'thinking' is least needed.
Stan is a scruffy lonely man whose life seems to be careening out of order: for the three years since the odd automobile accident that killed his wife and young daughter he has left the automotive line work in Detroit and has been living in a cabin in Northern Michigan without amenities, with only the ghosts of the past accompanying him on his search for a rational explanation for living. Into this wild comes Jane, a finance banker who has come to deliver news that Stan must make some decisions before he loses all his belongings. Attracted to the beautiful Jane, Stan shudders then jumps into the river flowing by his cabin, leaving the challenging Jane on the bank. Stan floats down the river only to face night and the natural elements, and in seeking shelter he encounters another cabin owned by a similarly disconsolate Dale who befriends him, clothes and feeds him, hears of Stan's attraction to the first female in three years, and encourages him to go for his chance to change his life by seeking out Jane.
Stan's frantic, and in many ways humorous, search for Jane includes meeting other characters as out of focus as Stan until Stan finds Jane and a bizarre 'courtship dance' lasting two days has a tragic ending: everything Stan has been seeking to escape returns under another guise to confront his fear of the ordinary (job, wife, pay bills, boredom) when Jane's wealthy family attempts to suck him in. Stan again flees only to find the pieces of his recent life that made sense are now unavailable.
The story is deceptively simple: the impact is very strong. This reader would have liked for the writing to continue as a longer novel, but then giving more information may have impaired the crisis and dénouement intentded. Jeff Vande Zande is a creative writer of the first rank, an artist who is unafraid to infuse philosophy into his characters' lives in a way that allows the reader to both enjoy a good story while being challenged to address the contemporary individual's place in the universe.
Grady Harp, June 07